The results here are certainly authoritative. a cantilena unison passage in the strings beginning in the low register of the orchestra introduces the main phase of the entire composition, maintained in the adagio, cantabile breadth of typically Romantic provenance. This album features cello concertos by Witold Lutosławski and Henri Dutilleux performed by the multiple prize-winning German-Canadian cellist Johannes Moser and the Rundfunk-Sinfonieorchester Berlin, conducted by Thomas Søndergård. Lutoslawski: Cello Concerto; Concerto For Oboe & Harp; Dance Preludes - Witold Lutoslawski, Symphonieorchester des Bayerischen Rundfunks , tylko w empik.com: 25,49 zł . The ensuing dialogue of the cello with the group of woodwinds brings in an atmosphere that is lyrical to the point where after the entrance of the strings' pizzicato accompaniment, the part of the cello can be perceived almost as an erotic courtship. Witold LUTOSŁAWSKI (1913-1994) Cello Concerto (1970) [24:58] Henri DUTILLEUX (1916-2013) Tout un monde lointain (Cello Concerto) (1970) [28:40] Johannes Moser (cello) Rundfunk-Sinfonieorchester Berlin/Thomas Søndergård rec. LUTOSLAWSKI: Cello Concerto / Livre pour Orchestre / Chain III. The second phase is made up of four episodes, each interrupted again by the brass. First Clash; 2. It is worth remembering that it was a time in which nearly every masterwork of drama and literature on the world arena could be read on in the communist block as a type of allusion: in reality, each of Shakespeare's dramas, not to mention the Polish Romantic literature, included content which the regime considered to be inappropriate. Less powerfully compelling is the single-movement Concerto for cello … Currency is Euros. When the material of the orchestra interferes with the narrative of the soloist, and when it (often brutally) interrupts the ‘rational flow' of the cello, finally when the particular instruments and their groups come with it into dialogue and even an emotionally harmonized agreement, a different quality of its individual narrative is born, resulting in the very concertante quality which we have mentioned. Temptations and Attacks; 3. Lutoslawski's Cello Concerto is a difficult work, not for every performer nor listener, but so intensely communicative is in Rostropovich's hands that there's never a moment's doubt about what the music means and how confidently the composer takes the piece where he wants it to go. The melodic nature of this phase of the composition is tied in with an extraordinary lighting up of this linearly treated passage with a careful choice of harmonic means. The fact is that if we put the solo voice of this Concerto on the pulpit, we are faced with a fascinating, and in terms of form and expression, fully satisfying fantasia for solo cello. The major works here are the Cello Concerto from Lutoslawski's most modernist period and Livre Pour Orchestra is also from that period (completed in the late 1960s). Mógł … tel./fax +48 22 826 90 25 Zamów dostawę do dowolnego salonu i zapłać przy odbiorze! W pewnym momencie Witold Lutosławski, silnie i zdecydowanie stojący na stanowisku, że muzyka, najbardziej autonomiczna ze sztuk, wyraża tylko i wyłącznie siebie, czuł się mocno skonsternowany i zakłopotany, zauważając, jak bardzo programowo jest komentowany i postrzegany jego Koncert wiolonczelowy. However, Lutosławski was not a dissident, even though his father Józef and his paternal uncle Marian were executed in Moscow by the Bolsheviks on September 5, 1918, while his brother Henryk died in a Soviet Gulag in the Kolyma region on October 7, 1940. more info » Copyright © 2002-21 Presto Classical Limited. Witold Lutosławski: Concerto For Orchestra - Cello Concerto - Rafał Kwiatkowski, Warsaw Philharmonic Symphony Orchestra. A notable achievement in every way. TWO GEMS FROM THE GOLDEN AGE OF THE CELLO This album features cello concertos by Witold Lutosławski and Henri Dutilleux performed by the multiple prize-winning German-Canadian cellist Johannes Moser and the Rundfunk-Sinfonieorchester Berlin, conducted by Thomas Sondergard. The polyphony of voices in those Sonatas is replaced here by a polyphony of textures, atmospheres, and types of expression. editors », The Year of Witold Lutosławski has been This fact - as well as that of the Nobel Prize for Solzhenitsyn - was also judged by the Soviet authorities to be an "invasion into internal matters" of the communist superpower, which among other outcomes resulted in the censorship's prohibition of transmitting the Concerto in its performance by Rostropowich, a prohibition aimed at the radio broadcasters of the communist camp, including the Polish Radio, making it impossible for the Poles to invite him to perform the work at the Warsaw Autumn festival. Musical analysis of the concerto often focuses on extra-musical influence – the piece was written at a difficult time personally for Lutoslawski after his mother died in 1967 and at a … It is a cross between a suite and a short symphony. by DissenceMusic from desktop or your mobile device The Concerto for Cello and Orchestra is a cello concerto by the Polish composer Witold Lutosławski. Gautier Capucon (cello) Polish National Radio Symphony Orchestra, Alexandre Liebreich. The utterly sympathetic performance of the Elgar displays both elasticity and plentiful re-creative fantasy. … Przeczytaj recenzję Dutilleux & Lutoslawski: Cello Concertos. Building a Library, June 2014, Recommendation on single disc. In the letter, Lutosławski's metaphorically formulated content immediately opened the way to further assumptions, creating through Rostropovich and the events of his life the temptation of facile over-interpretations. Witold Lutosławski Concerto for Cello and Orchestra. In this “cello concerto”, the composer invokes a mystical “world from afar”, inspired by Baudelaire quotes and full of allusions to French musical greats such as Debussy and Messiaen, while simultaneously sounding unmistakably Dutilleuxian. Słuchaj za darmo Witold Lutosławski – Lutosławski: Cello Concerto (Cello Concerto: I. Stream songs including "Tout un Monde Lointain: I. Enigme", "Tout un Monde Lointain: II. The first intervention of the trumpets is somewhat premature, and - in the context of the introductory solo fantasia - amusing and surprising. The Cello Concerto was composed in the years 1969-1970 on commission by the Royal Philharmonic Society and the Calouste Gulbenkian Foundation. In this continuous-movement Cello Concerto, Lutoslawski alters typical concerto form. This duel in climaxes becomes a remarkable crowning of the entire composition, a work the adventures of which are tracked by the listener with fascination like a sensational, abstract-action film full of bravado, realized exclusively with sonic means. Publisher: PWM/Print on demand; Countries of delivery: Cat. By Witold Lutoslawski Antoni Wit ... Concerto For Cello And Orchestra. the first violin's monologue as an ‘aside'. Haus des Rundfunks, Berlin, 2017/18 PENTATONE PTC5186689 SACD [53:52] Introduction, Cello Concerto: II. Pursuit and Flight. Introduction w wykonaniu Witold Lutosławski z albumu Cello Concertos za darmo, i zobacz grafikę, … Isn't its subject the fate of the dissident in the Soviet State? Stream Lutoslawski Cello Concerto | Peter Hoerr, cello | Witold Lutoslawski, cond. Bracka 23 The letter, which in a remarkably vivid, plastic, and picturesque manner tells the adventurous story of this work's musical form, was written by the composer at the request of the great violoncellist, who wished to obtain from him appropriate interpretive indications. In its essayistic and hermeneutically brilliant book, Lutosławski a wartość muzyki (Lutosławski and the Value of Music), Bohdan Pociej referred to the particular phases as: 1. He could reproach the commentators, and even himself, for having suggested to them this type of understanding by revealing the content of his letter to Mstislav Rostropovich, who inspired him to compose the work. It is a cross between a suite and a short symphony. The high point of the disc is the Lutoslawski Cello Concerto, in which soloist Gautier Capuçon demonstrates the height and breadth of his power and virtuosity…Alexander Liebreich and his orchestra... International Classical Music Awards, 2017, Winner - Best Collection, a well-conceived and constructed set which displays the cello in some wonderful works. If the discussed Concerto indeed realizes the genre's tradition, then it is in the sense that its main lyric-dramatic-epic subject is embodied in the solo instrument: it is a concerto for cello and orchestra, not for orchestra and cello. 4. The introduction contains almost the entire ‘philosophy' of the solo voice and everything which it will use in the more than twenty-three minute duration of the composition to influence the orchestral instruments (especially the strings and the woodwinds) in the process of ‘winning them over'. Zamów dostawę do dowolnego salonu i zapłać przy odbiorze! Find album reviews, stream songs, credits and award information for Lutoslawski/Penderecki: Cello Concertos - Torleif Thedéen on AllMusic - 1998 Listen to Dutilleux, H. - Lutoslawski, W.: Cello Concertos by Christian Poltera, Vienna Radio Symphony Orchestra & Jac van Steen on Apple Music. Whom does it symbolize, if not the individual in a totalitarian system? Climax, or the Thickest Amount of Hits; 4. Lutosławski: Concerto for Cello and Orchestra. prepared with the financial support of In the second segment there follows an initiated dialogue between the cello and the strings. Odkryj więcej muzyki, koncertów, wideo oraz zdjęć dzięki największemu katalogowi online w Last.fm. Ultimately the cello wins the battle and sings triumphantly in the finale. Warsaw. Their pizzicato mocking of each other introduces in the next formal episode the musical category of a scherzo. The solo cello introduces the work alone, boldly … The time of the work's world premiere was not without influence on the unusually strong temptation to ‘fictionalize' this composition (for which, in any case, the latter is suited for reasons of musical timbre alone). However, the genre of the instrumental concert sui generis presupposes such a relation between the concertante solo instrument and the orchestra, as to make the latter also a rightful subject. Paradoxically, this introduction is not a monologue. During introductory discussions about the conception of the piece, Rostropovich suggested to Lutosławski that he not mind any problems of technical nature whatsoever, leaving them to the performer, and that he concentrate his invention exclusively on purely musical problems. 9. It was heard for the first time in London, … Both Dohnanyi and Järvi logically couple the Lutoslawski with the Bartók Concerto for Orchestra, a pleasing pairing and an easier listen than choosing late Lutoslawski, as here. The cello concerto was finished in 1970, at point where Lutoslawski already had a number of his most significant works behind him. DUX. Like the Concerto, Livre includes a great deal of aleatory music - particularly in its final section. However, the Concerto is very much a symphonic work. And before the fourth minute of this solo fantasia elapses, the conflictual form of the Concerto begins with the first intervention of the brass instruments, in this case the trumpets. Delivery country is Spain. Expressively speaking, this is not a linear cello; in this respect as well as in the used technique, it is as polyphonic as the solo violin of Bach and Bartók in their multi-voiced, fully contrapuntal Sonatas. That said, the Cello Concerto is an extremely fine work, and while the idiom may be more advanced (and thus more difficult), the music’s emotional journey … 1998 Preview SONG TIME Livre Pour Orchestre. no. Moser made Lutoslawski’s Cello Concerto a focal point in the composer’s centenary in 2013, playing it thirty times in that year, so his understanding of the solo part and its relationship with the orchestra is rooted in wide and deep experience. Doesn't it refer to the drama of the individual refusing to accept its tyranny? In his description of the musical adventures of the Cello Concerto one may point to a kind of theatricalization of musical narrative, a theatricalization that is nonetheless abstract and immensely suited to music treated as an autonomous art employing means proper only to itself. 7264 ''This piece was commissioned by the Royal Philharmonic Society and the Calouste Gulbenkian Foundation with a dedication to Mstislav Rostropovich. Dedicated to Mstislav Rostropovich, it received its world premiere on October 14, 1970, at London's Royal Festival Hall, in a performance by the dedicatee and the … Witold Lutoslawski: Cello Concerto - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and best organized classical music site on the web. 00-028 Warsaw Poland COMPOSED: 1969-70, on commission from the Royal Philharmonic Society of London for Mstislav Rostropovich. Complete your Lutoslawski* collection. Four episodes i wiele więcej). The high point of the disc is the Lutoslawski Cello Concerto, in which soloist Gautier Capuçon demonstrates the height and breadth of his power and virtuosity…Alexander Liebreich and his … It received its world premiere at the Royal Festival Hall on October 14, 1970 by the cellist Mstislav Rostropovich (to whom the piece is dedicated) and the Bournemouth Symphony Orchestraunder the … First comes an introduction of the cello interrupted by the aforementioned intervention of brass instruments. This ‘flirting' is firmly interrupted by an intervention of the brass. "Koncert wiolonczelowy" Witolda Lutosławskiego został skomponowany z myślą o jednym z największych wiolonczelistów XX wieku, Mścisławie Rostropowiczu. The work was commissioned by the Royal Philharmonic Society with support from the Calouste Gulbenkian Foundation. Its formal and expressional principle is that of conflict, and even battle. The composer made considerable use of this allowance, though he did not neglect to propose his own fingering for the quarter-tone cello passages. UPC Code: 0730099462525 Release Date: April 1998 Originally recorded in 2008. While Lutosławski insisted that this highly dramatic work was a purely musical drama, Mstislav Rostropovich, its dedicatee, considered the music to be a mirror of his own battles with the authorities in the Soviet Union in the late 1960s … 4 utworów (24:41). The Lutoslawski Concerto was written in 1970 and is a startling work that makes enormous demands of soloist and orchestra. In spite of the existence of segments maintained in fast tempos and phrases of ornamental character, the discussed formal phase can be understood as an attempt at song, the first (and there will be a second, more intensive) adagio section. All rights reserved. e-mail: society@lutoslawski.org.pl Muzyka, Klasyczna. Rather, it is a discourse of the cello with itself, a kind of internal monologue in which clash various musical rationales; it is a sort of psychological study that extends from phrases sounding like firm expressions of faith, to figures which seem to engage in imitating these rationales and even mocking them. Dutilleux & Lutoslawski: Cello Concertos - Mstislav Rostropovich , tylko w empik.com: 39,99 zł . Regard" and more. Composer … The composition begins with a nearly four-minute solo introduction, which evolves from the indifferently repeated note of d. One could compare the cello's introductory point to the very characteristic beginning of Lutosławski's String Quartet, i.e. It is odd that extra-musical, and even somewhat anecdotal associations have tied themselves in with the Cello Concerto more strongly than with any other composition by Lutosławski, despite it being furnished with a generic title devoid of any extra-musical allusions. Discover releases, reviews, track listings, recommendations, and more about Lutoslawski* - Lutoslawski Conducts Lutoslawski Cello Concerto at Discogs. ul. As we have noted, we are dealing here with the dominant part of the cello. At a certain moment Witold Lutosławski, strongly and decisively holding the stance that music, the most autonomous of the arts, expresses only itself, felt extremely perplexed and puzzled when he noticed just to what extent his Cello Concert is subject to programmatic commentary and perception. These works, premiered in 1970, are two of the biggest gems of the twentieth century, the golden age of the cello. However, the Idyll cannot last forever, as this very moment causes the most aggressive intervention of the brass instruments, which leads the piece to its last phase. The Cello Concerto was composed in the years 1969-1970 on commission by the Royal Philharmonic Society and the Calouste Gulbenkian Foundation. Third in sequence is the cello and string orchestra's cantilena broken off with the most intensive of the interventions, after which the fourth phase brings the climax of the entire composition - first in a tutti, and then in the part of the solo instrument, which finally ‘gets its own way' - and ends with the repeated note of a², which in the context of the beginning's repeated d creates a symbolic framework for the whole. The greatness of Lutoslawski's concerto shines through in this thrilling performance by Antoni Wit and the Warsaw Philharmonic Chamber Orchestra, which is resolute, impassioned, and gripping, and so technically polished that a better rendition is hard to imagine. These works, premiered in 1970, are two of the biggest gems of the twentieth century, the golden age of the cello. Przeczytaj recenzję Lutoslawski: Cello Concerto; Concerto For Oboe & Harp; Dance Preludes. It is in those days, the time of the Cello Concerto's world premiere, when Rostropovich came into open conflict with Soviet authorities, which ended with the emigration of the violoncellist from the country. WITOLD LUTOSŁAWSKI. BORN: January 25, 1913. The partners do not hold equal rights, as the cello is the obvious hero of the work - a cello that is virtuosic and lyrical, indifferent and brilliant, rhapsodic and impressional, aggressive and compliant, melodic and percussive, playing pizzicatos and glissandos, energetic and faint, grotesque and molto espressivo, vicious and ethereal, timbrally thick and airy in its nebulae of harmonics, simper with its grazioso and jeering in poco buffo, charming with its con eleganza and strict in marciale. Print Program Notes. Only two weeks earlier, on October 14 to be exact, the discussed artist, recognized in the USSR as an authority similar to that of Sviatoslav Richter and David Oistrakh, defended Alexander Solzhenitsyn in a public statement, a writer condemned to banishment and deported from the country against his wishes, subjected to slander by the Soviet propaganda, which became furious when several weeks earlier he was honoured by the Nobel Prize for The Gulag Archipelago. Another resumption of the phrase by the cello playing pizzicatto initiates a remarkable formal phase within the Concerto: finally (!) UPC Code: 0827949068966 Release Date: November 2018 Originally recorded in 2018 So who is represented by this lonely cello, numbly resting on the indifferent note d? With... Gramophone Magazine, February 2019, Editor's Choice. Read full details, Rundfunk-Sinfonieorchester Berlin, Thomas Sondergard, Andrzej Bauer (cello), Polish National Radio Symphony Orchestra, Jacek Kapszyk, a compilation of over 40 years of the composer's career including some of his most significant works, Martha Argerich (piano), Heinrich Schiff (cello), Heinz Holliger (oboe), Nelson Freire (piano), Berlin Philharmonic and Warsaw National Philharmonic, Witold Lutoslawski and Witold Rowicki, The Netherlands Radio Philharmonic Orchestra, Jac van Steen, Polish National Radio Symphony Orchestra, Alexandre Liebreich, Lucy Crowe (soprano), Toby Spence (tenor), Christopher Purves (baritone), Louis Lortie (piano), Paul Watkins (cello), Tasmin Little (violin), Michael Collins (clarinet), Live Recordings of the music of Witold Lutoslawski, Guildhall Symphony Orchestra, Witold Lutoslawski, Wojciech Michniewski. Słuchaj Cello Concerto: I. The Concerto was written for, and dedicated to, Mstislav Rostropovich. In the latter, a tutti comes to a moment of harmonic fullness based on a nine-note chord, followed by a virtuosic culmination in the part of the cello. 4, composed 20 years earlier. The Witold Lutosławski society He premiered the work on October 14, 1970, with the Bournemouth Symphony Orchestra under Edward Downes. WORLD PREMIERE: October 14, 1970. Paul Watkins is the soloist in the Cello Concerto, one of the most original works of recent times. Silver Ainomäe celloLutosławski - Cello concertoFinnish Radio OrchestraDima Slobodenioukhttp://www.asartists.comAndres Siitan Artists … Sprawdź i kup teraz w merlin.pl The lot of Alexander Solzhenitsyn, to whom Rostropovich gave shelter in his home in the suburbs of Moscow? Lutoslawski sets the cello against aggressive orchestral accompaniment that prods, berates and teases the solo instrument. the Institute of Music and Dance, vc solo 3(1picc)33(1clb)3(1cfg), 4331, timp, batt(3), cel, ar, pf, archi. Lutoslawski: Cello Concerto and Symphony No. Less than six weeks later, there occurred the drama of the bloody suppression of labour strikes in Lutosławski's home, Poland. What is worth adding is that at the occasion of the world premiere of the Concerto, Mstislav Rostropovitch was decorated with the Gold Medal of the Royal Philharmonic Society, commemorating the London-based Society's commission of Ludwig van Beethoven's Symphony no. NA 3625 . No technical consultations with the violoncellist were made in the composition of the work, and only with its publishing were Mstislav Rostropovich's editorial fingerings for the solo part added. And the fate of Rostropovich himself, as well as his wife, Galina Vishnevskaya, the great singer, who both chose to flee the country of the communist utopia? Within this piece Lutoslawski rates gesture above most of the other aspects of the music, and what I mean by that is that the gestural fragments hold the piece … IMPORTANT: Tax changes on deliveries to the EU from 1st January 2021. Lutosławski defended himself from this poster-like political interpretation. „Lutoslawski / Dutilleux - Cello Concerto” Koncert na wiolonczelę i orkiestrę Orchestre de Paris, Witold Lutoslawski – dir, Mścisław Rostropowicz - vc EMI Classics 7243 567867 2 1 „Lutoslawski and Dutilleux: Cello Concertos” Koncert na wiolonczelę i orkiestrę Orchestre de Paris, Mścisław Rostropowicz – vc, Serge … The described formal and expressional conflict unfolds in four phases. DIED: February 7, 1994. Running Time: 73:05. Playing with depth and naturalness but above all a sense of theatre, [Moser] shapes an animated performance [of the Lutosławski] together with Thomas Søndergård and the Berlin orchestra. 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