Here is my review of the final JB Anthrax album. No kids, no no no no! There arenât any highlights to albums like this, but how about some lowlights? The verses are very driven, and remind me nicely of Fueled. The metal side of the album delivers most of the time in terms of quality groove metal material. However, a lack of Dimebag Darrell, the guitar tone, and the vocal performance of most alt rock bands of time, prevent this from sounding like the better moments of said preceding album. In fact, so is Anthrax of late. I found the drums to be one of my favorite parts of the album and are something you can listen to over and over again. This would be the best song on here, but for the shitty middle part. The whole stop - start nonsense in the former song's riffs and the effect in the background is a bit irritating, especially since said riff is decent, but these tracks are better than the nu 'metal' songs overall, for featuring actual riffs, a lack of a grating rapped vocal style, and not coughing up some awful guitar effects or other ideas from the 'modern' bag. This song shows Benante working a basic beat and gradually building on it with some insane double bass and snare work. 'Taking The Music Back' was made specifically for the radio and MTV play; it features really dumb guitar parts and lyrics pandering to the crowds. Someone spliced in some pure noise!! His style seems to be more understated. They cranked the "groove" up to ungodly new levels, but they threw out the riffs in the meantime. The chorus is non-grating, and catchy too, the former being a rarity for this album's pansy sounding nu styled choruses. He takes otherwise mediocre songs such as "Refuse To Be Denied" and "Superhero." After a couple of disappointing albums - Stomp 442 and Volume 8: The Threat Is Real (I was far less impressed with Stomp than the tracks I heard from Volume 8, for anyone wondering), Anthrax have roared back with their best album with John Bush at frontman. Album Rating: 2.5man SOWN is nothing like this album. It kicks offâin a literal senseâwith some double bass from Charlie Benante and a start/stop riff before launching into a completely unexpected thrash tirade. What we all received was We've Come For You All, an eclectic mix of the newer Anthrax sound and a more aggressive approach to the music. Not quite mallcore, but still this is shit. Five years later, Anthrax finally released their new full-length album We've Come For You All. Album Rating: 2.5 | Sound OffThe Worship Music review will definitely have to wait. âWe've Come for You Allâ just simply perfects and crystallises the path already set in by their earlier Volume8 album on which the band had regained their humour, dynamics and, most of all, willingness to just try some stuff. This is a very modern approach to metal. However it does come in second place from the 1992-2003 era. There really isn't anything that grabbed me by the genitals and forced me to kill my neighbour. Not quite as whiny as Korn, but this is still really fucking shitty. This is probably the worst production job of any Bush era album, as it really grates on the ears at times. But it's still no return to form. And apparently Anthrax enjoys them too, because there really is a boatload of crappy gimmicks like this. Radio oriented songs like these are not inherently awful ('Only' and 'Black Lodge' were excellent singles, for instance) but this is just bad. 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