After watching RIP: A Remix Manifesto, answer one of the following questions. A Remix Manifesto: a film about copyright law in the United States. I also go on TikTok frequently and some trending songs get taken off of TikTok due to copyrights leaving videos without sounds and users not understanding the context of the video. This meant that the documentary was not made available in its entirety for digital download until a period of time after its theatrical and television distribution. You must be a registered user to use the IMDb rating plugin. Not only is the film available for download, with user-determined pricing, but it is also free to be remixed at Open Source Cinema. How free creative work inspires new creativity, and artists such as Girl Talk. I believe that to improve as a society, we must build on each others ideas, not trying to make original ideas and not let others use them, that is selfish. With this project, he invited users to take the original documentary, remix it, and upload their contributions to be included in a … Prancing through a stream of young acolytes dressed in jeans, t-shirts and sneakers, he yells, “Make some noise!” This FAQ is empty. Part three of the documentary describes how in 2001, Metellica attempted to sue all of their fans for illegally downloading their music. In fact, Gaylor actively promotes this, by including links to “Host a Screening” and “Find a Screening” on his website, and encouraging hosts to charge entrance fees on the night if they desire. On 27 February 2009 Brett Gaylor started a new project on his site, Open Source Cinema, dubbed RiP! 2 of 2 people found this review helpful. The past always tries to control the future; 3. Getting Started | Contributor Zone » Contribute to This Page In fact, fans’ videos and images have already been used across North America viewings in versions of the documentary tweaked according to the screening location, as well as in the original documentary itself. This film features hundreds of people’s work from the Open Source Cinema website. a film about the public domain — about the right of citizens to participate in their culture, — Brett Gaylor, Director, RiP: a Remix Manifesto, http://creativecommons.org/licenses/by-nc-sa/3.0/, https://wiki.creativecommons.org/index.php?title=Case_Studies/RIP:_A_Remix_Manifesto&oldid=52476. With RiP: A remix manifesto, Gaylor and Girl Talk sound an urgent alarm and draw the lines of battle. The film focuses on copyright and the fight between the creative minority and corporate majority. Was this review helpful to you? Which side of the ideas war are you on? Live Streaming. Call for Soundtracks "RIP: A Remixer's Manifesto" Attention remixers: Creative Commons and OpenSourceCinema are co-hosting a Call for Soundtracks for the movie “ RIP: A Remixer’s Manifesto ” a movie about the struggles to keep content free and open. : A Remix Manifesto 2.0. Admittedly, Gaylor has an interesting interpretation of the ‘Noncommercial’ aspect of his Creative Commons licence and the protection of his intellectual property. So knowing that, we wanted there to be a method for those who wanted to pay to do so.” This business model has been successfully adopted across a wide variety of online content providers (e.g. ?… It discusses the pitfalls of traditional approaches to intellectual property protection in the digital era through the eyes of some key Copyleft revolutionaries such as remix poster boy GirlTalk (Gregg Gillis) and Creative Commons creator Lawrence Lessig. In RiP: A remix manifesto, Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. View production, box office, & company info, Indiewire Picks Free Movies: Not Going to SXSW? With Cory Doctorow. Having sold the production and worldwide distribution rights of the film to the National Film Board of Canada, Gaylor had to ensure he didn’t undercut their revenue from selling distribution rights. Remixers everywhere are invited to download the movie clips linked to on this page and create music using Creative Commons licensed samples. As a person who loves music and is getting into remix music for parties, this documentary realized how much corporations suppress about ability to share ideas. From the documentary website itself (which notably doesn’t have any Creative Commons licences in operation), there are links to Gaylor’s other project, opensourcecinema.org, and also http://ccmixter.org/rip, on which he has made available, under Creative Commons licences, his entire documentary for downloading, remixing and sharing. Gaylor admits it was a fine balancing act in developing a business model for the distribution and sale of the film. RiP! I used to watch YouTube a lot and I used to always hear of my favorite creators getting videos deleted because they used copyrighted music. Lessig states that copyright extremism “does harm” to developing nations. RiP! They can use my footage however they want, but I want them to submit it back to the site as well so that I can include it in the final film.” It is testament to the license’s effectiveness that there are currently hundreds of fans around the world working on re-edits of the documentary in the hope that their content will feature in Gaylor’s sequel, RiP: A Remix Manifesto 2.0. He is also the web producer of the Homeless Nation.org, a web project dedicated to bridging the digital divide – allowing everyone to participate in online culture. He effectively breaks down the barrier between user and producer of this documentary, by emphasizing to his audience that “the main thing is to participate and to contribute to further evolving versions of the film because we’re going to take that to different film festivals and remix it as we go along.” The end result is the first of its kind – a truly open source documentary that exemplifies exactly what it preaches by encouraging the open exchange of creative content for the benefit of the wider community. Brett Gaylor is a documentary filmmaker and new media director.He is the creator of opensourcecinema.org, a video remix community which supports the production of his feature documentary RiP: A remix manifesto.. Gaylor’s manifesto is broken into 4 ‘truths’: 1. According to RiP: a remix manifesto, the past tries to control the future, and as a result, the future becomes less free. What a great subject to do a documentary on. The film focuses on copyright and the fight between the creative minority and corporate majority. A Remix Manifesto, is a curious artifact. It works by establishing a core, passionate audience or fan base, and then giving them an incentive to buy and ‘connect’ with the content on a deeper level. Rip: A Remix Manifesto ( 6 ) IMDb 7.6 1 h 26 min 2008 13+ The film's central protagonist is Girl Talk, a mash-up musician topping the charts with his sample-based songs. RiP! Do you think sampling can be considered an instrument akin to guitars, drums, etc. Want to share IMDb's rating on your own site? Audience Reviews for RiP! Documentary about copyright, copyleft and creative commons. RiP: A Remix Manifesto is an Open Source documentary film written and directed by Canadian cultural activist Brett Gaylor. : A Remix Manifesto is an open-source documentary which is produced by using free open sources. Let web activist Brett Gaylor and musician Greg Gillis, better known as Girl Talk, serve as your digital tour guides on a probing investigation into … The license logo also acts as a signal of encouragement to audiences to participate, rather than representing a piece of legal fine print. By making copyright and intellectual property an issue worth talking about, the push for copyright reform becomes all the more powerful. A Remix Manifesto" Times Square, J Gutierrez | CC BY June is turning into quite the month for the NYC CC-community with both a CC Salon and the Open Video Conference taking place. A Remix Manifesto by Brett Gaylor - NFB The media could not be loaded, either because the server or network failed or because the format is not supported. A documentary which examines copyright issues in the information age. He’s quick to rebut them, stating “it’s not piracy I need to be afraid of; it’s obscurity… that’s why I was very insistent that my film be released under Creative Commons license, and that it be free to travel through those networks.” Thus he has made exposure the key goal underpinning his business model, from which profits will flow indirectly. Other information. Check out our gallery of the 2021 Oscar nominees in the leading and supporting acting categories, as the characters they so brilliantly played and in real life. a film about the public domain — about the right of citizens to participate in their culture — Brett Gaylor, Director, RiP: a Remix Manifesto. In RiP: A remix manifesto, Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. Regardless of the past successes of this business model, however, Gaylor admits he has a number of sceptics who question its application to this documentary, which can easily be ripped from the internet for free. He states: “What [the licences] allowed me to do is to let the audience know that they can participate in the film. To build free societies, you must limit the control of the past. He makes it clear early on in RiP! Make social videos in an instant: use custom templates to tell the right story for your business. Once the negotiated period for distribution had lapsed, Gaylor and his producers agreed to ‘sell’ the documentary download at no fixed price. Our future is becoming less free; and 4. Unfortunately, statistics on downloads and revenue streams through the RiP website are unknown, although 2,250 Twitter “followers” and 2,840 members on the RiP Facebook Group stand as a rough indication of a solid fan base. Critics in Australia in particular struggled with the polemical nature of the film. He explains, “We knew the film would appear on file-sharing networks immediately and we knew the audience for the film wanted and expected it to be online. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Robbo sez, In RiP: A remix manifesto, Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the … This wiki is licensed to the public under a. Immerse yourself in the energetic, innovative and potentially illegal world of mash-up media with RiP: A Remix Manifesto. Since its international debut in Amsterdam, RiP has been screened in such festivals as the Lite Brite Film Fest in Cincinnatti, Ohio, the Rio International Film Festival, the Reykjavik Intenrational Film Festival, Kopiefeest in Belgium, the Darklight Film Festival in Dublin, and others in New York, Croatia, Torino, Melbourne, and Taipei. He uses these to shape and create a compelling argument for the reconsideration of Copyright and the ‘reclaiming’ of contemporary digital culture. Radiohead). What do these laws and policies affect beyond music and media? Bring the Vibe Into Your Home With 'RiP: A Remix Manifesto', Must See: Kirby Ferguson’S Conclusion To “Everything Is A Remix”, 2010 New Media Film Festival: Official Lineup. Let web activist Brett Gaylor and musician Greg Gillis, better known as Girl Talk, serve as your digital tour guides on a probing investigation into … RIP: A Remix Manifesto is an open source, participatory documentary about the intersection of Copyright, artists and culture in the modern technological era. This page was last edited on 10 September 2011, at 02:01. Brett Gaylor's documentary, RiP: A Remix Manifesto, takes the theories of Lawrence Lessig, creator of Creative Commons, and runs madly away … Here, the website and the documentary work together to establish this incentive by declaring that any profits made will go straight back into the ‘Copyleft’ movement. Furthermore, the original audio and visual elements that Gaylor used to create his documentary are also under Creative Commons licences. Which side of the ideas war are you on? The film was released under a Creative Commons Attribution-Noncommercial 3.0 United States Licence. Although I'm all for taking away power from corporations, I would like to hear more of their side to see if there is any reason other than money that makes them safeguard intellectual property. Title: Aug 22, 2009. Since it’s international debut at the International Documentary Festival of Amsterdam in November 2008, it has gained worldwide attention for its fast editing, eye-grabbing graphics and witty narration. www.colindunn.com RiP was created as a ‘participatory media experiment’ , in partnership with the National Film Board of Canada and EyeSteelFilm. RiP! The film's central protagonist is Girl Talk, a mash-up musician topping the charts with his sample-based songs. : A Remix Manifesto 2.0. RiP: A Remix Manifesto is an Open Source documentary film written and directed by Canadian cultural activist Brett Gaylor. Being open source and readily available for both consumption and distribution, its very existence is a statement on intellectual property, copyright, and the future of media. Create. To compromise with Gaylor’s ideal immediate release, the National Film Board of Canada released a chaptered version on its website during its distribution, with “calls to action” embedded in each chapter so that remixers around the world could begin working on the film. Start studying "Rip: A Remix Manifesto" Documentary. It is a documentary about copyright laws and regulations pertaining to the music and film industry -- and overall in our culture. Remix NYC: Get Your Face In The Opening NYC Screening of "Rip! Analysis Essay Final Draft- RiP: A Remix Manifesto Information age is the world we live in today it is how we navigate to do everything phones, laptops, tablets, and the biggest one the internet. The films central protagonist is Girl Talk, a mash-up musician topping the charts with his sample-based songs. Culture always builds on the past; 2. Take a look ahead at some of our most anticipated superhero series arriving in 2021 and beyond. rocko p Super Reviewer. Watching RIP: A Remix Manifesto, has really opened my eyes regarding copyrights.I never knew how strict these corporations were on pirated content to the point where I started to feel bad for those who received a lawsuit for simply downloading 24 songs. This was done to bring to life, Gaylor’s vision of audience participation in the remix culture. Analysis Essay Final Draft- RiP: A Remix Manifesto Information age is the world we live in today it is how we navigate to do everything phones, laptops, tablets, and the biggest one the internet. He acknowledges that his documentary will probably be downloaded and screened privately around the world. However, he remains unphased by the potential for loss of revenue due to these activities. A documentary which examines copyright issues in the information age. Immerse yourself in the energetic, innovative and potentially illegal world of mash-up media with RiP: A remix manifesto. Add the first question. RiP isn’t merely a documentation of the changes taking place, it’s a proposition — a manifesto, actually — for a new view of intellectual property that inspires, not obstructs, creativity. It has also aired on television in numerous countries, including Canada, United States, Israel, Finland, Netherlands, Australia, Poland, Brazil and Italy. (2008). Just as its description “participatory media experiment” suggests, Gaylor also set out to provide content and a platform with which users could collaborate together in the creation of a shared cultural experience. : A Remix Manifesto received mixed reviews from critics; The Globe and Mail called the film "A forceful, vibrant and immensely entertaining call to action." Use the HTML below. Poster designed in support of Rip! A Remix Manifesto. Broadcast your events with reliable, high-quality live streaming. Get a sneak peek of the new version of this page. To ensure that all contributors in this cultural experiment were on the same ‘Copyright wavelength’, Gaylor made Creative Commons licensing compulsory for all content uploaded by the public. While a fast and simultaneous global online release would have been ideal, he was forced to consider the commercial realities of his business partners. Director Brett Gaylor has a boy crush on Girl Talk, and that’s totally okay. RiP: A Remix Manifesto, the controversial new doc by Montreal filmmaker Brett Gaylor, opens with a startling scene.A musician is prepping backstage for a club date, donning shades and putting on his hoodie. He states, “there’s a lot of apprehension around this issue and it was sort of the goal of the film to encourage debate”. See all Audience reviews RiP: A Remix Manifesto Quotes. Is it fair use or copyright infringement? This morning my weekly E!Online article was published featuring RiP: A Remix Manifesto. What do you think he means by this? Keep track of everything you watch; tell your friends. RiP: A Remix Manifesto During the time I made the film, the music industry was undergoing massive disruption - both in terms of how music was distributed, but how music was being made. "Rip! Gaylor went on to win his first award at the IDFA for Audience Choice, and has since continued to captivate theatrical audiences in Europe, Canada, North America, and the international online community. Directed by Brett Gaylor. I had to watch this film for an English essay and it is very informative. With RiP: A remix manifesto, Gaylor and Girl Talk sound an urgent alarm and draw the lines of battle. A Remix Manifesto is a feature documentary I wrote and directed over the course of six years in co-production with the National Film Board of Canada and Eyesteelfilm. RiP: A Remix Manifesto‘s three-dimensional message gives it a punch not many documentaries can claim.A piece of media itself, the documentary stands as an example of its argument. 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