Salome (Saint John the Baptist) 1510 Sebastiano del Piombo 1485 - 1547 (Saint John the Baptist was beheaded at Herodias' request, and his head presented to her daughter Salome on a charger. 22 1/2 x 18 1/2 in. {{$parent.$parent.validationModel['duplicate']}}, Museum of Fine Arts (MFA), Boston, MA, US, 1-{{getCurrentCount()}} out of {{getTotalCount()}}, Salome with the Head of Saint John the Baptist, Madonna and Child with Sts Catherine and Barbara, The Holy Family with Saints Anne and John, Salome with the Head of St. John the Baptist, Madonna and Sleeping Child with Three Angels. Physical Dimensions: 22 1/2 x 18 1/2 in. Salome with the Head of Saint John the Baptist, Louise B. and Frank H. Woods Purchase Fund. Strobel, a painter of Polish origin, tells the story on an enormous stage that represents to moment of the martyrdom on the far right, where we can see the saint´s decapitated body. Salome, an Edomite princess born of Herodias and the wife of Herod Philip I, carries the severed head of Saint John the Baptist on a tray, illustrating a Bible passage from Matthew (14:1–11) and Mark (6:22–28). Max Size, 4700 x 3490px JPG, Size: 13.91 MB, 300dpi. Alice Guszalewicz as Salome.jpg 275 × 376; 26 KB. View Salome with the head of Saint John visual essay.docx from ARTS 1101 at Savannah Technical College. Creator: Andrea Solario. Salome with the Head of Saint John the Baptist, oil on wood painting by Andrea Solario, c. 1507-9 CE. Salome with the Head of Saint John the Baptist, 1500s or later. Title: Salome with the Head of Saint John the Baptist. Addeddate. Chelsea La Count CRN 20109 Visual Analysis Essay (Alternate option) Guido Reni. 1847 - d. 1927), Boston; gift of Mrs. Walter Scott Fitz to the MFA. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family in an elaborate dish. Prompted by her mother, she asked for John’s head. Jusepe de Ribera (Spanish, 1591-1652) Facebook Twitter Pinterest. (87.6 x 87.6 cm) Classification: Paintings. Salomé With The Head Of Saint John The Baptist. Rather than depicting the actual execution, Duck focused on the executioner’s muscled physique as he departs the scene, turning to look at the viewer after having presented Salome with John’s severed head. Artist: Spanish (Catalan) Painter (mid-15th century) Medium: Tempera and gold on canvas, transferred from wood. The technique of contours blurred by delicate shadows and the specific facial types reveal the strong influence of Leonardo da Vinci. Open today 10–11 a.m. members | 11 a.m.–6 p.m. public. Other works of art recorded in Paolo Marulli's collection in 1845 passed to the heirs of his nephew. The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Repository: Metropolitan Museum of Art, New York, NY. On her head is a large white turban with gold trim. 1766 - d. 1846), Naples [see note 1]; by descent to Sebastiano Troiano Marulli d'Ascoli (b. No blood drips from John’s head, and the color and illumination are cool; indeed, there is no specific setting, nor are any strong emotions depicted. Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. Favourite Collect Standard, 1265 x 1800px JPG, Size: 1.53 MB, 300dpi. During the Renaissance, John’s head on a platter was widely understood to be a symbol for the Host, or sacramental bread in the Christian ritual of the Eucharist. This work depicts the martyrdom of Saint John the Baptist due to the perfidy of Salome, who asked for his head after seducing King Herod with her dancing. Grasping a gold plate holding John the Baptist’s severed head, young Salome presents this gruesome prize to her mother. (Accession Date: October 20, 1921)[1] See Napoli e i Luoghi Celebri delle sue Vicinanze, vol. The payback came during a banquet, when Salome performed a maddening dance, and prompted by her mother, asked the spellbound king for her reward: John's death. With Elia Volpi (b. Salome, the daughter of Queen Herodias, so pleased her stepfather, Herod Antipas, by dancing at his birthday feast that he promised to grant her any wish. - R8D5BK from Alamy's library of millions of high resolution stock photos, illustrations and vectors. Download. The following 100 files are in this category, out of 100 total. Object information is a work in progress and may be updated as new research findings emerge. Date Created: ca. This painting captures a Bible story with a singular image. Salome’s story revolves around beauty, obligation, and cold loathing. Find more prominent pieces of religious … Highly selective in his palette, Reni depicted this gory event with rhythmic grace, soft modeling, and elegant remove. Jean-Joseph-Benjamin Constant, Salome with the Head of St. John the Baptist, c. 1895-1898, oil on wood, 81 x 69.4 cm, National Gallery of Canada Metropolitan Museum of Art, New York. In this late work, the handling of the figures is broad, especially in the legs of the young page and the feet of Salome, which are only summarily brushed in. 32.100.81. Salome with the Head of St John the Baptist-Oil on wood, 59 x 58 cm Kunsthistorisches Museum, Vienna: The biblical source for the painting is Matthew 14:6-11 or Mark 6:21-8, where the daughter of Herodias danced for her stepfather, Herod, on his birthday. Provenance. Prompted by her vengeful mother, Salome asked for the head of the prophet John the Baptist, whom Herod had imprisoned for denouncing his marriage. 2014-02-26 09:56:51. Identifier. Download. Title: Salome with the Head of Saint John the Baptist. 1921, Duveen Brothers, New York; 1921, sold by Duveen to Mrs. Walter Scott Fitz (Henrietta Goddard Wigglesworth) (b. Prompted by her vengeful mother, Salome asked for the head of the prophet John the Baptist, whom Herod had imprisoned for denouncing his marriage. Salome with the Head of St. John the Baptist didn’t make Guido Reni famous. Despite its biblical source, this work was meant for a domestic setting, whose owner would have admired the elegant presentation of a shocking story. The author of this powerful yet restrained and elegant depiction of Salome with the head of Saint John the Baptist has continued to elude scholars, though the influence of Simon Vouet, and specifically his Roman Caravaggesque period, is evident. Favourite Collect Standard, 2820 x 2094px JPG, Size: 4.92 MB, 300dpi. CARAVAGGIO Salome with the Head of St John the Baptist 1609-10 Oil on canvas, 91 x 167 cm National Gallery, London. mma_salome_with_the_head_of_saint_john_the_baptist_437699. Salome’s stepfather, King Herod, had granted her a wish after she danced for him at a banquet. Max Size, 2108 x 3000px JPG, Size: 3.21 MB, 300dpi. 2 (Naples, 1845), where a Salome attributed to Leonardo da Vinci is recorded in the collection of Paolo Marulli, whose brother was the great- great-grandfather of Sebastiano Marulli. ‘Salome with the Head of St. John the Baptist’ was created by Lucas Cranach the Elder in Northern Renaissance style. BRAMER, Leonaert Salome Presented with the Head of St John the Baptist 1630s Oil on canvas Musée des Beaux-Arts, Nimes. His 17th century Italian frescos made him the artistic darling of Bologne. The Bible recounts how King Herod, captivated by the dancing of his stepdaughter, Salome, offered her any reward. At her mother’s urging, Salome requested the head of John the Baptist, who had criticized her mother’s marriage. Get premium, high resolution news photos at Getty Images External Link: http://www.metmuseum.org/art/collection/search/437699. Follower of Bernardino Luini (Italian, c. 1480-c. 1532). At her mother’s urging, Salome requested the head of John the Baptist, who had criticized her mother’s marriage. To help improve this record, please email . 1867 - d. 1917), Duke of Ascoli and Prince of Sant'Angelo dei Lombardi, Naples [see note 2]. Salome with Download this stock image: Salome with the Head of Saint John the Baptist, ca 1525-1528. Dimensions. Artemisia Gentileschi’s Salome with the Head of Saint John the Baptist (1610-15) omits Herodias, but shows the executioner placing John’s head on the platter held out by Salome. Historical Notes: A three-quarter length portrait of Salome (identified by Jefferson as Herodias) holding the head of John the Baptist on a large platter. 1648 Schweigger Salome with Head of St. John the Baptist anagoria.JPG 3,168 × 4,752; 10.43 MB. Luini executed several paintings of Salome with the head of the Baptist where the beautiful faces belie the brutal violence of decapitation. Credit Line: The Friedsam Collection, Bequest of Michael Friedsam, 1931. In this large canvas, Guido Reni, a leading seventeenth-century Bolognese painter, depicted one of the New Testament’s more macabre stories. During the Renaissance, John’s head on a platter was widely understood to be a symbol for the Host, or sacramental bread in the Christian ritual of the Eucharist. Found in the Collection of Szepmuveszeti Muzeum, Budapest. 608. https://api.artic.edu/api/v1/artworks/11434/manifest.json. The day commemorates the martyrdom by beheading of Saint John the Baptist on the orders of Herod Antipas through the vengeful request of his step-daughter Salome and her mother Herodias. [2] Luca Beltrami, "Luini, 1512-1532" (Milan, 1911), p. 566, records this painting as being in the Duke of Ascoli collection. By 1845, Paolo Marulli d'Ascoli (b. Salome is baffling; she turns away from the head as if to avoid seeing what has been done, her expression blank. During the Renaissance, John’s head on a platter was widely understood to be a symbol for the Host, or sacramental bread in the Christian ritual of the Eucharist. 51517. The technique of contours blurred by delicate shadows and the specific facial types reveal the strong influence of … Salome with the Head of St John the Baptist c. 1488 Tempera on panel, 21 x 40,5 cm Galleria degli Uffizi, Florence. In 1845 passed to the right, and cold loathing 's Collection 1845! 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