Mikio Naruse did something similar, though his melodrama was a lot gentler visually, and quiet in its conflict. Sisters of the Gion continues in this trend of domestic expressionism that he had shown earlier in the year with Osaka Elegy, to a point that both resembles that film (and Mizoguchi's other work), while simultaneously distancing itself from it. Mizoguchi’s film is an uncompromising look at the forces that keep many women at the bottom rung of the social ladder. The theme of this week’s challenge was to watch a film feature in Criterion’s Eclipse series, which highlights lesser known films. In the end, both…, I’m sick of sorting through concerts, series, and other non-movies. This is a film of geisha culture on the surface, but more specificially how that manifested in a changing Japan. Mizoguchi nos deja solos con las hermanas para llegar a nuestras propias conclusiones***(Para un primer acercamiento al método crítico ideovisual: www.eltanquerojo.com/single-post/cr%C3%ADtica-ideovisual). All the men here lose mental bearing when offered the prospect of sex, Omocha can see this clearly and attempts to use this to her advantage - she is a figure of political dissent. Another comic and tragic masterpiece from the master, the betrayal, the plot, and the comedy keeps the normalcy, the bitterness, and the unfairness of a Geisha's life finds this break in reality that says it still stands up that proves it's still relevant, its cinema, it's a time machine and it is happening right in front of you. The conversation around the film runs deeper than sex, it's more systemic, and gets tied to a litany of Japanese attitudes about culture,…. Why does the world need such a profession? The other works to hustle her customers to gain the system and has little respect for the individuals but instead feels contempt toward them as she schemes them out of their money. Nous utilisons les cookies pour s'assurer que vous viviez la meilleure expérience possible sur notre site. Drama. It's a crying shame how much like Mikio Naruse, his creative output was ignored by the world during his lifetime. Umekichi, a geisha in the Gion district of Kyoto, feels obliged to help her lover Furusawa when he asks to stay with her after becoming bankrupt and leaving his wife. Kenji Mizoguchi is one of the major Japanese filmmakers of his era, but I guess that SISTERS OF THE GION is kind of his lesser known films. The independent, unsentimental Omocha and her sister, the more tradition-minded Umekichi, are both geishas in the working-class district of Gion. Anything with more than 1,000 views on Letterboxd that’s longer…, tarrdigrade 1,854 films 34,175 236 Edit, If you're feeling overwhelmed, but still want to squeeze a film into your daily routine, this list is made for…, Constantly updating. This is a tragedy with concrete poured on the coffin for good measure. Umekichi, the elder sister, is the ideal geisha; she grew up going to dance and music lessons, wears SISTERS OF THE GION fits well within that theme. Playing off a similar setup in Gion Bayashi, which came much later, Sisters of the Gion tells the story of two geisha sisters, Umekichi and Omocha. It was created by those (men) in power, and its rules are drawn from manipulation, money, mastery, and a dash of luck. And from there it passes further down the social ladder to the two geisha sisters of the title, who are discussing the man who has fallen on hard times, and their conflicting views about their obligations to him and to men in general. 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